The feature showcases how Filipino identity shines on the global stage as Ballet Philippines and Carlo Calma unite dance, architecture, and indigenous weaving at the Philippine Pavilion in Osaka.
Entitled “Cultural Narratives Intertwined,” Daily Tribune’s article says that Filipino identity takes the spotlight at Expo 2025 Osaka, where heritage, innovation, and artistry converge. In its 56th season, Ballet Philippines (BP) presents a groundbreaking collaboration with visionary artist Carlo Calma at the Philippine Pavilion—an immersive space that unites dance, architecture, and indigenous craftsmanship.
The story also shares that the pavilion, designed by Calma brings together the largest collaboration of Filipino community weavers ever assembled for a single project. Featuring over 1,000 handwoven rattan elements and more than 200 indigenous textiles, the structure pays homage to traditional craftsmanship while reimagining it for the future. Its flowing, organic form, inspired by the act of weaving, embodies the Expo’s theme: “Designing Future Society for Our Lives.”
Furthermore, the article says that within this setting, Ballet Philippines performs two original works—Weaving Looms and Threads—choreographed to echo the movement and spirit of the pavilion. Performed daily at 5:30 p.m. and 7:30 p.m. through June 15, the pieces reflect themes of resilience, transformation, and unity, offering audiences a deeply moving portrayal of cultural continuity.
Commissioned by the Tourism Promotions Board Philippines, Ballet Philippines returns for a second performance series in October. The Philippine Pavilion stands as a powerful cultural statement—where nature, culture, and community are woven together for a better, more inclusive future. Read the full story by Luis Espiritu here.