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Broadway World Previews Ballet Philippines’ 56th Season Opener, Peter and the Wolf & Little Red Riding Hood 

From August 1-3, 2025, Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra unite for a family-friendly double bill at The Theatre at Solaire.

In a feature by Broadway World, Gilbert Kim Sancha highlights a major cultural milestone as three of the Philippines’ premier performing arts institutions—Ballet Philippines (BP), Repertory Philippines (REP), and the Manila Symphony Orchestra (MSO)—join forces for an extraordinary season opener.

Marking its 56th season, Ballet Philippines presents a world-class double bill featuring Peter and the Wolf and Little Red Riding Hood from August 1 to 3, 2025, at The Theatre at Solaire. This first-time collaboration brings music, dance, and drama together on one stage for five performances aimed at delighting audiences of all ages.

Peter and the Wolf, composed by Sergei Prokofiev, uses different instruments to represent each character—offering a fun and educational introduction to symphonic music for younger audiences. Meanwhile, Little Red Riding Hood reimagines the beloved fairy tale with a lighthearted tone, brought to life through expressive choreography and set to the music of Camille Saint-Saëns and Edvard Grieg.

Beyond its artistic ambition, the production also serves as a meaningful outreach initiative. Families from selected barangays will be invited to watch for free, helping expand access to the transformative power of the performing arts. Ticket sales from the general public will help support future outreach efforts.

With theatrical storytelling from REP, dynamic choreography from BP, and a live musical score by the MSO, the production is designed to entertain, educate, and inspire—a celebration of collaboration and creativity.

Read the full story by Gilbert Kim Sancha for Broadway World here: https://www.broadwayworld.com/philippines/article/Music-Drama-and-Dance-Come-Together-in-PETER-AND-THE-WOLF-and-LITTLE-RED-RIDING-HOOD-20250708.

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BP Bulletin

People Asia Shares a First Look at Ballet Philippines’ 56th Season

Ballet Philippines teams up with Repertory Philippines and the Manila Symphony Orchestra for a five-show season opener that blends dance, music, and theater—while extending free access to underserved communities.

Ballet Philippines with Repertory Philippines and Manila Symphony Orchestra will present two beloved classic tales

In an article by People Asia, the spotlight shines on Ballet Philippines’ much-anticipated 56th season, which opens with a landmark collaboration between three of the country’s premier cultural institutions: Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra.

Running from August 1 to 3, 2025, at The Theatre at Solaire, this first-of-its-kind production brings together world-class dancers, actors, and musicians for a five-show engagement designed for audiences of all ages. The season opener features two beloved classics—Peter and the Wolf and Little Red Riding Hood—reimagined in a family-friendly format that blends ballet, orchestral music, and theatrical storytelling.

Peter and the Wolf, composed by Sergei Prokofiev, is a symphonic tale that cleverly introduces young audiences to classical music by assigning instruments to each character in the story: the bird is represented by a flute, the duck by an oboe, the cat by a clarinet, and Peter by the strings, among others.

The second half of the program presents Little Red Riding Hood, a whimsical retelling of the well-known fairy tale. Set to the compositions of Camille Saint-Saëns and Edvard Grieg, this production offers a fresh, playful take on the story, with choreography and direction tailored for today’s audiences.

Beyond the stage, the production also carries a meaningful community outreach component. Selected families from various barangays will be given free access to the performances, while proceeds from ticket sales will go toward supporting and sustaining future outreach efforts.

This powerful collaboration among three leading institutions aims to both entertain and uplift—making the arts more inclusive, and inspiring the next generation through storytelling, movement, and live music.

Read People Asia’s full story here:https://peopleasia.ph/ballet-philippines-shares-stage-with-rep-manila-symphony-orchestra-little-red-riding-hood-and-the-big-bad-wolf/.

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BP Bulletin

A Beautiful Day by Bilyonaryo Talks to Ballet Philippines and Repertory Philippines About a Landmark Collaboration for BP’s 56th Season Opening

Hosts Paolo Del Rosario, Anne Asis Carilo, and Monique Tuzon explore how BP, REP, and MSO unite 213 years of cultural legacy for a magical family production.


In a recent feature by A Beautiful Day by Bilyonaryo, hosts Paolo Del Rosario, Anne Asis Carilo, and Monique Tuzon sat down with Ballet Philippines’ President Kathleen Liechtenstein and Repertory Philippines’ Artistic Director Jeremy Domingo to delve into one of the most significant cultural collaborations in the country today.

The conversation focused on the upcoming production that brings together three of the Philippines’ most iconic cultural institutions—Ballet Philippines (BP), now in its 56th year; Repertory Philippines (Rep), with 58 years; and the Manila Symphony Orchestra (MSO), marking 99 years. This groundbreaking partnership merges 213 years of artistic excellence in a single, family-friendly production.

At the center of this creative alliance is a double bill of Peter and the Wolf and Little Red Riding Hood, where ballet, theater, and live symphonic music come together for a rare and immersive experience. The creative process, as shared in the interview, has been a complex balancing act of disciplines and visions—aiming to offer children and families an engaging encounter with the performing arts that is both entertaining and educational.

Monique Tuzon invited Jeremy Domingo to discuss Peter and the Wolf, a 20-minute symphonic piece composed by Sergei Prokofiev. Crafted as an introduction to classical music for young listeners, each character in the story is represented by a specific instrument: a flute for the bird, oboe for the duck, clarinet for the cat, bassoon for the grandfather, horns for the wolf, and strings for Peter. The narrative encourages curiosity, courage, and critical thinking through sound and story.

This production is not only a celebration of heritage and artistry but also a call to nurture the imagination of a new generation.

Watch the full video of Bilyonaryo’s It’s A Beautiful Day here: https://www.youtube.com/live/7cXSJkmh23k?si=MPMzuU8swagh_LZO.

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BP Bulletin

ABS-CBN Spotlights Groundbreaking Ballet Philippines Collaboration for 56th Season

Ballet Philippines teams up with Repertory Philippines and the Manila Symphony Orchestra for a historic theatrical collaboration in The Theater at Solaire.

Ballet Philippines, Manila Symphony Orchestra (MSO) and Repertory Philippines

In a feature by Leah Salterio for ABS-CBN News, Ballet Philippines’ upcoming 56th season launch is spotlighted as a landmark cultural event that brings together three of the country’s premier performing arts institutions—Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra.

For the first time, the three companies are joining forces on one stage to present a family-friendly double bill: Peter and the Wolf and Little Red Riding Hood, running from August 1 to 3 at The Theatre at Solaire. Peter and the Wolf, composed by Sergei Prokofiev, is a classic symphonic tale that introduces children to the instruments of the orchestra.

Each character is represented by a different instrument—the bird by a flute, the duck by an oboe, the cat by a clarinet, and so on—making it both educational and entertaining. Ballet and theatrical elements will enhance the performance, creating an engaging fusion of music, dance, and storytelling.

Little Red Riding Hood will be presented as a full-length ballet set to the music of Camille Saint-Saëns and Edvard Grieg. This playful reimagining of the well-known fairy tale will follow the journey of a young girl who discovers the value of kindness, brought to life through original choreography and musical interpretation. Beyond the artistry, this production also represents a significant outreach initiative.

Ballet Philippines announced it will distribute free tickets to indigenous children, military personnel, and other underserved communities. The MSO will also bring in their own beneficiaries to enjoy the performance. With only five performances scheduled, this ambitious production promises to be a highlight of the season—uniting generations through timeless storytelling and live performance.

Read the full story by Leah Salterio for ABS-CBN News here: https://www.abs-cbn.com/lifestyle/2025/7/7/rep-ballet-philippines-mso-join-forces-for-landmark-family-show-1635.

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BP Bulletin

Manila Bulletin Covers the Launch of BP’s 56th Season

A rare collaboration between Ballet Philippines, the Manila Symphony Orchestra, and Repertory Philippines opens BP’s 56th season with a magical double bill and a meaningful outreach initiative.

BP President Maymay Liechtenstein.

A rare collaboration between Ballet Philippines, the Manila Symphony Orchestra, and Repertory Philippines opens BP’s 56th season with a magical double bill and a meaningful outreach initiative.

At a recent media gathering held at the Oasis in Solaire Resort and Casino, the spotlight was on three major institutions in the Philippine performing arts: BP, MSO, and REP. BP stands for Ballet Philippines, now entering its 56th season. MSO refers to the nearly century-old Manila Symphony Orchestra, celebrating its 99th year. And REP is short for Repertory Philippines, which has been staging world-class theater for 58 years.

As observed by Manila Bulletin’s Philip Cu Unjieng, this historic collaboration represents a combined legacy of 213 years in the arts—an extraordinary milestone. BP President Maymay Liechtenstein expressed that this union of institutions reflects decades of brand-building and dedication to Philippine culture.

From August 1 to 3 at The Theatre at Solaire, Ballet Philippines, the Manila Symphony Orchestra, and Repertory Philippines will present a rare and magical double bill: Peter and the Wolf and Little Red Riding Hood.

The event is not only a showcase of artistic excellence, but also a powerful act of community outreach. A number of seats will be made available free of charge to families from selected barangays, extending access to the performing arts to underserved communities.

Peter and the Wolf, set to Sergei Prokofiev’s iconic score, introduces children to classical music through storytelling—each character is represented by a specific instrument. Ballet Philippines dancers will perform alongside live music by the MSO, with Repertory Philippines lending theatrical elements to the staging.

Paired with this is Little Red Riding Hood, set to the music of Camille Saint-Saëns and Edvard Grieg. The BP-MSO collaboration continues here, promising a visually rich and sonically enchanting performance for audiences of all ages.

It’s a family-friendly theatrical treat that blends movement, music, and drama—all under one roof.

Don’t miss Peter and the Wolf and Little Red Riding Hood, from August 1 to 3 at The Theatre at Solaire. And yes, it’s the Wolf pulling double duty!

Read the full story here: https://mb.com.ph/2025/07/06/alphabet-soup-and-why-the-wolf-is-the-star.

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BP Bulletin

Phil Star Life Highlights Launch of Ballet Philippines’ 56th Season

Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra team up for a landmark double bill of Peter and the Wolf and Little Red Riding Hood.

For the first time in Philippine performing arts history, Ballet Philippines with Repertory Philippines
and Manila Symphony Orchestra will present a doublebill of beloved classic tales—the symphonic
tale for children Peter and the Wolf and the full-length ballet Little Red Riding Hood.

Ballet Philippines is celebrating its 56th season in a big way this August, bringing the classic fairy tales Peter and the Wolf and Little Red Riding Hood to the stage.

This production marks a historic first in Philippine performing arts as Ballet Philippines collaborates with two premier cultural institutions—Repertory Philippines and the Manila Symphony Orchestra—for a never-before-seen theatrical experience.

Peter and the Wolf, composed by Sergei Prokofiev, is a beloved musical tale where each character is represented by an instrument: a flute for the bird, an oboe for the duck, a clarinet for the cat, a bassoon for the grandfather, horns for the wolf, and strings for Peter. This staging will be directed by Jeremy Domingo and choreographed by PJ Rebullida.

Little Red Riding Hood, meanwhile, will be presented as a full-length ballet to the music of Camille Saint-Saëns and Edvard Grieg. Described as “a playful reimagination of the classic fairy tale,” it tells the story of a young girl discovering the power of kindness. It will be directed and choreographed by Mikhail Martynyuk.

There will only be five performances of the double bill, running from August 1 to 5 at The Theatre at Solaire.

This season’s production is also a significant community outreach initiative. Free seats will be given to families from selected barangays to offer underserved communities access to the performing arts.

“This initiative is about more than just performance—it’s about access, education, and inspiring the next generation,” said REP President and CEO Mindy Perez-Rubio, BP President Kathleen Liechtenstein, and MSO Executive Director Jeffrey Solares in a joint statement.

Tickets range from P802 to P4,017 and are available via TicketWorld, the Solaire Box Office, and REP channels.Read the full story here by Phil Star Life’s Melanie Uson:https://philstarlife.com/geeky/219964-peter-and-the-wolf-little-red-riding-hood-ballet-philippines-56th-season?page=3.

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BP Bulletin

Modern Parenting Explores Why Fairy Tales Still Matter For Modern Families

Classic fairy tales like Peter and the Wolf and Little Red Riding Hood continue to inspire creativity and bring families closer—reminding us that a lifelong love for the arts may just be the most enduring happily ever after.

In an article by Modern Parenting, writer Kevyn Gohu explores how timeless fairy tales can still spark wonder in modern families—especially when brought to life by the Philippines’ top performing arts companies.

Opening this August, Ballet Philippines marks its 56th season with a special collaboration alongside Repertory Philippines and the Manila Symphony Orchestra. The three institutions join forces for a five-performance run of Peter and the Wolf and Little Red Riding Hood—a double bill that brings music, movement, and imagination together in one magical, family-friendly production.

These stories, deeply rooted in generations of childhood memories, offer something unique in today’s fast-paced, screen-dominated world: immersive storytelling. Where technology often flattens experience into scrollable moments, the live stage invites families to slow down, feel, and connect.

Set to the iconic music of Russian composer Sergei Prokofiev, Peter and the Wolf introduces children to classical instruments by assigning them to characters—flute for the bird, oboe for the duck, clarinet for the cat, and strings for Peter. Little Red Riding Hood, featuring compositions by Camille Saint-Saëns and Edvard Grieg, offers a fresh, reimagined take on the classic tale—focusing on emotion, empathy, and courage through expressive choreography.


Read Modern Parenting’s full story by Kevyn Gohu here:
https://modernparenting-onemega.com/fairy-tales-modern-families-ballet/.

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BP Bulletin

Ballet Philippines’ 56th Season Launch Featured in Tatler

Catch Ballet Philippines’ twin-bill production of Peter and the Wolf and Little Red Riding Hood, with five shows scheduled from August 1 to 3, 2025, at The Theatre at Solaire in Parañaque. For details and updates, follow Ballet Philippines’ official social media channels.

Little Red Riding Hood and the Big Bad Wolf (Photo: Ballet Philippines)

In an article for Tatler, Gabriel Bohol highlights a historic moment in Philippine performing arts: for the first time, Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra are joining forces in a major theatrical collaboration.

To mark the opening of its 56th season, Ballet Philippines presents a twin-bill production of Peter and the Wolf and Little Red Riding Hood—a blend of dance, drama, and live orchestral music. This collaboration not only represents an artistic milestone, but also serves as a meaningful outreach initiative, offering free tickets to families from underserved communities.

Peter and the Wolf, written in 1936 by Russian composer Sergei Prokofiev, follows a young boy who defies his grandfather’s warnings and ventures into the forest. Along the way, he meets a duck, cat, and bird before encountering a menacing wolf. Repertory Philippines Artistic Director Jeremy Domingo leads the direction, cleverly integrating the Manila Symphony Orchestra by assigning each character a musical instrument: the bird by a flute, the duck by an oboe, the cat by a clarinet, the grandfather by a bassoon, the wolf by French horns, and Peter by the strings.

The second half of the performance features a full-length ballet adaptation of Little Red Riding Hood, based on the classic tale by Charles Perrault. Directed by Ballet Philippines’ Mikhail Martynyuk, this version takes a more playful approach to the story and is set to the music of Camille Saint-Saëns and Edvard Grieg. Rather than focusing on the darker elements, the production promises a family-friendly retelling with lighthearted charm and expressive choreography.

This much-anticipated double bill will be staged from August 1 to 3 at The Theatre at Solaire, with only five performances scheduled.

Read the full story by Tatler’s Gabriel Bohol here: https://www.tatlerasia.com/lifestyle/arts/peter-and-the-wolf-and-little-red-riding-hood-ballet-ph.

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BP Bulletin

Freedom takes center stage.

From all of us at Ballet Philippines, we celebrate the courage, artistry, and freedom that make us proud to be Filipino.

Happy Philippine Independence Day!

#BP56 #IndependenceDay2025

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BP Bulletin

Daily Tribune Highlights Ballet Philippines at Expo 2025 as Fusion of Heritage, Movement, and Design

 The feature showcases how Filipino identity shines on the global stage as Ballet Philippines and Carlo Calma unite dance, architecture, and indigenous weaving at the Philippine Pavilion in Osaka.

Carl Lacaba, Clarise Miranda, Mark Anthony Balucay, BP President Kathleen Liechtenstein, Danielle Kleiner, Ian Ocampo, Jemima Reyes, Carlo Calma, and Olivia Bugayong for the opening performance at the Philippine Pavilion Facade in Expo 2025 Osaka. Photographed by Justine Jugueta.

Entitled “Cultural Narratives Intertwined,” Daily Tribune’s article says that Filipino identity takes the spotlight at Expo 2025 Osaka, where heritage, innovation, and artistry converge. In its 56th season, Ballet Philippines (BP) presents a groundbreaking collaboration with visionary artist Carlo Calma at the Philippine Pavilion—an immersive space that unites dance, architecture, and indigenous craftsmanship.

The story also shares that the pavilion, designed by Calma brings together the largest collaboration of Filipino community weavers ever assembled for a single project. Featuring over 1,000 handwoven rattan elements and more than 200 indigenous textiles, the structure pays homage to traditional craftsmanship while reimagining it for the future. Its flowing, organic form, inspired by the act of weaving, embodies the Expo’s theme: “Designing Future Society for Our Lives.”

Furthermore, the article says that within this setting, Ballet Philippines performs two original works—Weaving Looms and Threads—choreographed to echo the movement and spirit of the pavilion. Performed daily at 5:30 p.m. and 7:30 p.m. through June 15, the pieces reflect themes of resilience, transformation, and unity, offering audiences a deeply moving portrayal of cultural continuity.

Commissioned by the Tourism Promotions Board Philippines, Ballet Philippines returns for a second performance series in October. The Philippine Pavilion stands as a powerful cultural statement—where nature, culture, and community are woven together for a better, more inclusive future. Read the full story by Luis Espiritu here.

Ballet Philippines
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