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Phil Star Life Highlights Three Masters, One Stage

Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra team up for a landmark double bill of Peter and the Wolf and Little Red Riding Hood.

For the first time in Philippine performing arts history, Ballet Philippines with Repertory Philippines
and Manila Symphony Orchestra will present a doublebill of beloved classic tales—the symphonic
tale for children Peter and the Wolf and the full-length ballet Little Red Riding Hood.

Ballet Philippines is celebrating its 56th season in a big way this August, bringing the classic fairy tales Peter and the Wolf and Little Red Riding Hood to the stage.

This production marks a historic first in Philippine performing arts as Ballet Philippines collaborates with two premier cultural institutions—Repertory Philippines and the Manila Symphony Orchestra—for a never-before-seen theatrical experience.

Peter and the Wolf, composed by Sergei Prokofiev, is a beloved musical tale where each character is represented by an instrument: a flute for the bird, an oboe for the duck, a clarinet for the cat, a bassoon for the grandfather, horns for the wolf, and strings for Peter. This staging will be directed by Jeremy Domingo and choreographed by PJ Rebullida.

Little Red Riding Hood, meanwhile, will be presented as a full-length ballet to the music of Camille Saint-Saëns and Edvard Grieg. Described as “a playful reimagination of the classic fairy tale,” it tells the story of a young girl discovering the power of kindness. It will be directed and choreographed by Mikhail Martynyuk.

There will only be five performances of the double bill, running from August 1 to 5 at The Theatre at Solaire.

This season’s production is also a significant community outreach initiative. Free seats will be given to families from selected barangays to offer underserved communities access to the performing arts.

“This initiative is about more than just performance—it’s about access, education, and inspiring the next generation,” said REP President and CEO Mindy Perez-Rubio, BP President Kathleen Liechtenstein, and MSO Executive Director Jeffrey Solares in a joint statement.

Tickets range from P802 to P4,017 and are available via TicketWorld, the Solaire Box Office, and REP channels.Read the full story here by Phil Star Life’s Melanie Uson:https://philstarlife.com/geeky/219964-peter-and-the-wolf-little-red-riding-hood-ballet-philippines-56th-season?page=3.

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BP Bulletin

Modern Parenting Explores Why Fairy Tales Still Matter For Modern Families

Classic fairy tales like Peter and the Wolf and Little Red Riding Hood continue to inspire creativity and bring families closer—reminding us that a lifelong love for the arts may just be the most enduring happily ever after.

In an article by Modern Parenting, writer Kevyn Gohu explores how timeless fairy tales can still spark wonder in modern families—especially when brought to life by the Philippines’ top performing arts companies.

Opening this August, Ballet Philippines marks its 56th season with a special collaboration alongside Repertory Philippines and the Manila Symphony Orchestra. The three institutions join forces for a five-performance run of Peter and the Wolf and Little Red Riding Hood—a double bill that brings music, movement, and imagination together in one magical, family-friendly production.

These stories, deeply rooted in generations of childhood memories, offer something unique in today’s fast-paced, screen-dominated world: immersive storytelling. Where technology often flattens experience into scrollable moments, the live stage invites families to slow down, feel, and connect.

Set to the iconic music of Russian composer Sergei Prokofiev, Peter and the Wolf introduces children to classical instruments by assigning them to characters—flute for the bird, oboe for the duck, clarinet for the cat, and strings for Peter. Little Red Riding Hood, featuring compositions by Camille Saint-Saëns and Edvard Grieg, offers a fresh, reimagined take on the classic tale—focusing on emotion, empathy, and courage through expressive choreography.


Read Modern Parenting’s full story by Kevyn Gohu here:
https://modernparenting-onemega.com/fairy-tales-modern-families-ballet/.

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BP Bulletin

BP’s 56th Season Launch In Collaboration with REP & MSO Featured in Tatler

Catch Ballet Philippines’ twin-bill production of Peter and the Wolf and Little Red Riding Hood, with five shows scheduled from August 1 to 3, 2025, at The Theatre at Solaire in Parañaque. For details and updates, follow Ballet Philippines’ official social media channels.

Little Red Riding Hood and the Big Bad Wolf (Photo: Ballet Philippines)

In an article for Tatler, Gabriel Bohol highlights a historic moment in Philippine performing arts: for the first time, Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra are joining forces in a major theatrical collaboration.

To mark the opening of its 56th season, Ballet Philippines presents a twin-bill production of Peter and the Wolf and Little Red Riding Hood—a blend of dance, drama, and live orchestral music. This collaboration not only represents an artistic milestone, but also serves as a meaningful outreach initiative, offering free tickets to families from underserved communities.

Peter and the Wolf, written in 1936 by Russian composer Sergei Prokofiev, follows a young boy who defies his grandfather’s warnings and ventures into the forest. Along the way, he meets a duck, cat, and bird before encountering a menacing wolf. Repertory Philippines Artistic Director Jeremy Domingo leads the direction, cleverly integrating the Manila Symphony Orchestra by assigning each character a musical instrument: the bird by a flute, the duck by an oboe, the cat by a clarinet, the grandfather by a bassoon, the wolf by French horns, and Peter by the strings.

The second half of the performance features a full-length ballet adaptation of Little Red Riding Hood, based on the classic tale by Charles Perrault. Directed by Ballet Philippines’ Mikhail Martynyuk, this version takes a more playful approach to the story and is set to the music of Camille Saint-Saëns and Edvard Grieg. Rather than focusing on the darker elements, the production promises a family-friendly retelling with lighthearted charm and expressive choreography.

This much-anticipated double bill will be staged from August 1 to 3 at The Theatre at Solaire, with only five performances scheduled.

Read the full story by Tatler’s Gabriel Bohol here: https://www.tatlerasia.com/lifestyle/arts/peter-and-the-wolf-and-little-red-riding-hood-ballet-ph.

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BP Bulletin

Freedom takes center stage.

From all of us at Ballet Philippines, we celebrate the courage, artistry, and freedom that make us proud to be Filipino.

Happy Philippine Independence Day!

#BP56 #IndependenceDay2025

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BP Bulletin

Daily Tribune Highlights Ballet Philippines at Expo 2025 as Fusion of Heritage, Movement, and Design

 The feature showcases how Filipino identity shines on the global stage as Ballet Philippines and Carlo Calma unite dance, architecture, and indigenous weaving at the Philippine Pavilion in Osaka.

Carl Lacaba, Clarise Miranda, Mark Anthony Balucay, BP President Kathleen Liechtenstein, Danielle Kleiner, Ian Ocampo, Jemima Reyes, Carlo Calma, and Olivia Bugayong for the opening performance at the Philippine Pavilion Facade in Expo 2025 Osaka. Photographed by Justine Jugueta.

Entitled “Cultural Narratives Intertwined,” Daily Tribune’s article says that Filipino identity takes the spotlight at Expo 2025 Osaka, where heritage, innovation, and artistry converge. In its 56th season, Ballet Philippines (BP) presents a groundbreaking collaboration with visionary artist Carlo Calma at the Philippine Pavilion—an immersive space that unites dance, architecture, and indigenous craftsmanship.

The story also shares that the pavilion, designed by Calma brings together the largest collaboration of Filipino community weavers ever assembled for a single project. Featuring over 1,000 handwoven rattan elements and more than 200 indigenous textiles, the structure pays homage to traditional craftsmanship while reimagining it for the future. Its flowing, organic form, inspired by the act of weaving, embodies the Expo’s theme: “Designing Future Society for Our Lives.”

Furthermore, the article says that within this setting, Ballet Philippines performs two original works—Weaving Looms and Threads—choreographed to echo the movement and spirit of the pavilion. Performed daily at 5:30 p.m. and 7:30 p.m. through June 15, the pieces reflect themes of resilience, transformation, and unity, offering audiences a deeply moving portrayal of cultural continuity.

Commissioned by the Tourism Promotions Board Philippines, Ballet Philippines returns for a second performance series in October. The Philippine Pavilion stands as a powerful cultural statement—where nature, culture, and community are woven together for a better, more inclusive future. Read the full story by Luis Espiritu here.

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BP Bulletin

ABS-CBN Spotlights Filipino Innovation at Expo 2025 Osaka with Ballet Philippines’ Live Performance at Philippine Pavilion Facade

The feature reports on the Philippines’ historic debut at Expo 2025 Osaka, where Ballet Philippines transforms architecture into a living stage at the Philippine Pavilion.

Photo from ABS CBN: https://www.abs-cbn.com/metro-style/culture/2025/6/4/ballet-philippines-performs-on-the-live-fa-ade-of-the-philippine-pavilion-1530

In a feature story titled “PH Breaks New Ground at Expo 2025 with First Live Performance Facade,” ABS-CBN reports that the Philippines is making history at Expo 2025 Osaka with the debut of a world-first live performance façade, brought to life by the internationally renowned Ballet Philippines.

According to the article by Iya Lorainne Baring, the Philippine Pavilion transforms architecture into a dynamic stage through daily performances titled Weaving Looms and Threads, running until June 15. Staged within and behind the Pavilion’s intricately handwoven rattan façade, the performances offer a multisensory experience, where dance, design, and heritage intersect.

The facade—designed by architect Carlo Calma—is inspired by the traditional Filipino act of weaving. With over 1,000 handwoven rattan elements and 200 indigenous textiles, the structure serves as both a cultural monument and an evolving canvas for movement and storytelling.

ABS-CBN notes that the performances are held twice daily at 5:30 PM and 7:30 PM, offering Expo visitors a rare opportunity to witness a groundbreaking collaboration where the building itself becomes the stage and the dancers bring Filipino identity to life. Read the full story by Iya Lorainne Baring here.

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BP Bulletin

Ballet Philippines Honors Philippine Consul General in Osaka

An intimate dinner at the Philippine Pavilion celebrates cultural diplomacy during the Osaka International Expo 2025 performances.

Ballet Philippines President Kathleen “Maymay” Liechtenstein, together with the company’s dancers, hosted an intimate dinner at the Philippine Pavilion in Osaka to honor Philippine Consul General Voltaire D. Mauricio.

The event coincided with Ballet Philippines’ ongoing performances in Japan as part of the Osaka International Expo 2025, held in partnership with Philippine Airlines and the Philippine Tourism Board.

Also in attendance were Mrs. Maribel Calma and Ballet Philippines Communications Head Ping Valencia, as seen in the photo.

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BP Bulletin

Happy Mother’s Day to the amazing women who inspire us every day

To the queen of our hearts, today and always. Like a true ballerina, you move through life with grace, strength, and poise. You make even the most demanding roles look effortless. Happy Mother’s Day to the amazing women who inspire us every day. 

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BP Bulletin

This Labor Day, we honor every Filipino worker’s strength and sacrifice onstage and beyond

Meet Ana, an OFW nurse whose story we brought to life through dance in Limang Daan. Her grace and resilience mirror the spirit of ballet itself. Mabuhay ang manggagawang Pilipino!

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BP Bulletin

Day of Valor: A Living Tribute to Bravery and Freedom

Ballet Philippines President Kathleen Liechtenstein at the gala night of Christmas Fairytales with honored guests from the Air Force as part of the Men In Uniform program

Today, April 9th, we honor the courage and sacrifice of the brave men and women who stood their ground in Bataan during World War II. Their unwavering spirit, forged in the crucible of war, serves as a lasting reminder of the price of freedom and the resilience of the Filipino people.

At Ballet Philippines, we pay tribute to their heroism not only through remembrance but through action—by sharing the transformative power of dance, art, and culture with our modern-day heroes. Through our Men in Uniform program, we open the doors of the theater to members of the Armed Forces, inviting them into a world where movement speaks the language of history, hope, and healing.

Each performance becomes more than a show; it becomes a living celebration of the very freedom our soldiers fought to protect. It is in these moments—when curtains rise and stories unfold—that we remember not only the past but also reaffirm our commitment to honor those who serve today.

This ongoing tribute was beautifully reflected during the gala night of Christmas Fairytales, where Ballet Philippines President Kathleen Liechtenstein welcomed guests from the Philippine Air Force. Their presence served as a powerful reminder that the strength of a nation lies not only in its defense, but in the unity of its people through shared culture and expression.

Through dance, we honor our heroes—past and present—and ensure that their legacy lives on in every step, every story, and every stage.

Ballet Philippines
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