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A Celebration of Movement and Culture: “Ang Panaginip” Through the Eyes of Inquirer Lifestyle Author

For Anna Isabel C. Sobrepeña, Ballet Philippines’ “Ang Panaginip” was more than just a performance—it was a mesmerizing fusion of movement, music, and cultural artistry. As she witnessed the company’s 55th season finale unfold, she was struck by the seamless interplay of dance and design, set against a backdrop of Philippine heritage.

The evening began with a vibrant cocktail reception at The Theatre at Solaire, where guests arrived in elegant, modern interpretations of the national dress. The anticipation was palpable, and the theater itself became a stage for celebrating Filipino artistry even before the curtain rose. Once inside, Sobrepeña was transported into a dreamlike world where choreography and costume combined to tell a uniquely Filipino story.

Homage to traditional craftsmanship

A highlight of the production was the collaboration between Ballet Philippines and designer Jor-el Espina, whose costumes masterfully incorporated indigenous weaves collected over his two-decade career. Sobrepeña appreciated how Espina’s designs not only complemented the dancers’ movements but also paid homage to traditional craftsmanship. The vibrant colors and intricate patterns of his creations swirled gracefully in the pas de deux and grand adagio, reinforcing the ballet’s visual storytelling. Espina himself remarked on the synergy between ballet and fashion, emphasizing that both disciplines share an emphasis on lines, movement, and silhouette—an observation that resonated deeply with the evening’s performance.

Artistic Director Mikhail Martynyuk’s vision was another element that captivated Sobrepeña. She noted his reference to relevé, a movement in which dancers rise to their toes—a fitting metaphor for Ballet Philippines’ evolution and innovation. For Martynyuk, “Ang Panaginip” was more than just another production; it was a challenge for the dancers to push their limits, mastering intricate rhythms and demanding technical precision. Sobrepeña recognized this commitment to excellence in the way each movement was executed with both strength and grace.

An evocative orchestral score

The inspiration for the ballet, as relayed by Ballet Philippines President Kathleen Liechtenstein, stemmed from an illustrated comic book that she shared with Martynyuk during a family vacation. His immediate enthusiasm led to the rapid development of a storyline and musical mapping, which composer Glenn Aquias then transformed into an evocative orchestral score. Sobrepeña admired the haunting beauty of the music, infused with the sounds of Filipino instruments, which added layers of depth and emotion to the performance.

Celebrating Filipino culture and identity

The ballet’s set design drew from the natural beauty of the Philippines, particularly the Seven Falls in Lake Sebu. Martynyuk’s vision of blending the real and the fantastical transported audiences into a world where dreams and reality intertwined. Sobrepeña found herself fully immersed in the narrative, following the journey of 18 princesses—each representing a Philippine region—who longed for freedom beyond the constraints of their palace. Their struggles and triumphs reflected broader themes of self-discovery and empowerment, making the ballet’s message deeply resonant.As the final note lingered in the air and the dancers took their bows, the spontaneous applause reaffirmed the performance’s impact. For Sobrepeña, “Ang Panaginip” was not only a technical and artistic triumph but also a powerful celebration of Filipino culture and identity—one that left a lasting impression on all who witnessed its magic. Read Anna Isabel C. Sobrepeña’s full story in Inquirer Lifestyle.

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BP Bulletin

Lifestyle Asia Describes “Ang Panaginip” as an Ethereal Spectacle of Choreography Paired with Brilliant Filipiniana Costuming

Pilar Gonzalez of Lifestyle Asia, shares her thoughts on “Ang Panaginip,” Ballet Philippines’ full-length Filipiniana ballet that closed its 55th season, saying that the performance was “an ethereal spectacle of choreography paired with brilliant Filipiniana costuming,” with the production’s seamless blend of movement, music, and cultural storytelling. Furthermore, for Gonzalez, “the choreography was front and center,” flowing between moments of delicate grace and powerful intensity, perfectly in sync with Glen Aquias’ grand orchestral score. Meanwhile, designer Jor-el Espina’s costumes were a big highlight, crafted from indigenous Filipino textiles, added another layer of artistry, transforming the dancers into living embodiments of Philippine heritage.

A Moving Testament to Independence and Inner Strength

Beyond its visual and technical brilliance, Gonzalez captured the ballet’s deeper narrative of empowerment and self-discovery. Following 18 princesses—each representing a region of the Philippines—as they longed for freedom beyond their palace walls, the eldest sister, Matalino, led them to a hidden world where they could dance without restriction, a powerful metaphor for breaking free from societal expectations. Yet, their mother, the Queen, symbolized both protection and the weight of tradition, embodying the complexities that many women face in balancing personal dreams with external pressures.

Redefining Fairytales: Celebrating Filipina Strength Through Dance

In reflecting on the ballet’s significance, Gonzalez narrates the librettist Mawi Fojas de Ocampo’s insights. Through an exclusive interview with Gonzalez, De Ocampo explained that “Ang Panaginip,” premiering during Women’s Month, was designed to challenge conventional fairytales and celebrate the strength of Filipinas. Ballet Philippines President Kathleen Liechtenstein further reinforced this idea, noting how the production mirrored real-life struggles and triumphs of women carving their own paths in society.“Ang Panaginip” was more than just a mesmerizing ballet—it was a statement on identity, resilience, and the power of choice. As the final act concluded and the dancers took their bows, they left the theater with a renewed appreciation for ballet as not just an art form, but a medium for storytelling, cultural expression, and social change. Read Pilar Gonzalez’s take on “Ang Panaginip” in Lifestyle Asia here.

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“Ang Panaginip” as Featured in GMA Lifestyle

“Ang Panaginip”—a story that highlights the power of dreams and the beauty of self-expression.”

In her story for GMA Lifestyle, Hazel Jane Cruz writes:  Ballet Philippines’ “Ang Panaginip” followed the story of 18 Filipina princesses. On Sunday, March 2, Ballet Philippines successfully concluded its 2025 concert “Ang Panaginip.” It ran from February 28 and staged a total of five shows at The Theatre at Solaire. “Ang Panaginip” also marked the end of the 55th season of Ballet Philippines.

The author narrates that ‘“Ang Panaginip” is a full-length Filipiniana ballet directed by Mikhail Martynyuk, with exquisite costumes by renowned Filipiniana designer Jor-el Espina and an evocative score by Glenn Aquias. It followed the lives of 18 princesses who “yearned for freedom beyond their palace walls.’”

In addition, she elaborates, “Aside from giving a platform to the talent of Filipina ballet dancers, ‘Ang Panaginip’ also paid homage to Filipino culture through Jor-El’s designs and Filipinianas that represented 18 regions from the country: Matalino, Sinag, Alon, Ligaya, Dalisay, Mayumi, Oragon, Kugihan, Dilaab, Kahilom, Bagani, Hiyas, Teodora, Sibol Giliw, Tala, Bantay, and Teresita.” She also mentioned that “On the opening night, Ballet Philippines President Kathleen Liechtenstein was present at the event and appeared grateful for the support ‘Ang Panaginip’ has received, who shared, “‘Tonight, I stand in deep gratitude as we end our 55th season. None of these would be possible without you. You, our audience, you, our supporters, fellow dreamers, you fuel our passion, lift our artistry, and help us extend the inspiring power of ballet to communicate far and wide,’ said Kathleen.” Read the full story by Hazel Jane Cruz in GMA Lifestyle.

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This Exclusive with MEGA Tells How ‘Jor-el Espina Creates Filipiniana That are Meant to Move for Ballet Philippines’

According to Mega’s Sean Castelo III, “For a designer whose work has long been an ode to Filipino craftsmanship, the opportunity was more than just a milestone, but fate in motion.” In his article, he narrates that “as part of his 20th year in fashion, Espina has taken on a challenge both grand and personal: crafting the costumes for Ballet Philippines’ 55th season-ending production. He further states, according to Espina: “It’s actually a Filipiniana. And, you know, the Filipiniana is very close to my heart. This is one thing that I’m very passionate about.”

The author elaborates, sharing, “Directed by artistic director Mikhail Martynyuk, the ballet takes its pulse from Glenn Aquias’ evocative score and moves to the rhythm of Mawi Fojas de Ocampo’s libretto. Loosely inspired by the Grimm Brothers’ The Dancing Princesses, it follows a band of royal sisters who slip beyond the boundaries of their prescribed lives, escaping into a realm where they can be anyone—perhaps even themselves. But where the original tale had twelve princesses, Ang Panaginip expands the vision, multiplying the sisters to eighteen, each a reflection of the Philippines’ eighteen regions.”

In addition, according to the author, “To create for ballet is to understand movement not just as a function, but as a language. Every pleat, every bead, every thread must not only catch the light but also obey the rhythm of a dancer’s body. Espina, who has been a devoted Ballet Philippines audience member since 2019, approached the task with reverence and instinct.”The article states: “Well, actually, it’s tiring,” he admits with a laugh, “but, you know, it’s tiring when you’re not doing anything. So, I want to do things right away when I think of something.” He had been dreaming of designing for ballet long before this opportunity arrived. “As a designer, gusto mo rin naman nakikita yung damit mo on stage, and when they showed me the piyesa, the libretto, I said, ‘this is something I’m interested in.’ So, I want to do this, and it’s Filipiniana, and it’s very me.” Read Sean Castelo III’s full story in MEGA.

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BP Bulletin

Strength, Storytelling, and Style: Bilyonaryo’s It’s A Beautiful Day Features The Making of “Ang Panaginip”

This episode of Bilyonaryo’s It’s a Beautiful Day highlights “Ang Panaginip” an original full-length Filipiniana ballet by Ballet Philippines that celebrates the strength and spirit of the modern Filipina.

With breathtaking designs by renowned fashion designer Jor-El Espina, the production tells the inspiring story of 18 princesses who defy traditional expectations and embark on a journey of self-discovery and empowerment.

The episode features exclusive insights from Ballet Philippines President and CEO Kathleen Liechtenstein and designer Jor-El Espina, who discuss the creative vision and cultural significance behind this groundbreaking performance.It is an in-depth look at how “Ang Panaginip,” Ballet Philippines’ 55th Season Ender is redefining the Filipino ballet experience. Watch the full episode of It’s a Beautiful Dayhere.

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Ballet Brigade Fosters Cultural Exchange Through Mindful Movement with the Sama-Bajau Community Zamboanga

Ballet Philippines’ Ballet Brigade traveled to Zamboanga for a meaningful experience, where they were warmly embraced by the Sama-Bajau community. Guided by BP President Kathleen Liechtenstein, BP Trustee Sheree Chua, and outreach donor Lauren Liechtenstein, the endeavor went beyond a celebration of dance—it was an opportunity to foster cultural exchange, build connections, and give back to a community rich in heritage.

After an adventurous walk across the Sama-Bajau’s taytayan (footbridge), the team spent a day with 50 bright-eyed children, sharing in the joy of movement and exchanging stories. With the support of the Cartwheel Foundation and the Center for Community Extension Services, Ballet Philippines collaborated with the community to explore the beauty of dance, honoring both the art form and the people it wishes to inspire.

Thanks to generous donations from McDonald’s, Kohl Industries, and Rexona, the young dancers enjoyed a warm meal, received hand sanitizers, and were given hygiene products to keep them healthy and safe.

In the afternoon, Ballet Philippines introduced basic movements the Sama-Bajau elders could practice at home for health and fitness. In return, the elders warmly shared their Igal-Igal dance, a tradition often performed at weddings and special gatherings. As they moved with effortless elegance, they invited Ballet Philippines to join in, creating a meaningful exchange of artistry and heritage. It was a beautiful, graceful, and sensuous performance. The program ended on a joyous high note, with everyone dancing to the rhythm of the Sama-Bajau’s music—a true celebration of culture and connection.

As Ballet Philippines wrapped up this chapter of their Ballet Brigade mission, they took with them meaningful memories, leaving a piece of their hearts with the Sama-Bajau children and the community, who reignited their passion and reminded them of their purpose. Dance truly is a universal language that connects us all, and Ballet Philippines is grateful for the opportunity to speak it.

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BP Bulletin

BP’s Ballet Brigade and Bukidnon’s Seven Tribes Meet for a Cultural Exchange

Ballet Philippines’ Ballet Brigade recently embarked on a meaningful journey to the highlands of Bukidnon, deepening its commitment to connecting communities through dance. Engaging with the seven tribes of the region—the Talaandig, Higaonon, Bukidnon, Umayamnon, Matigsalog, Pulangiyen Manobo, and Tigwahanon—the company fostered a powerful exchange of culture, tradition, and artistry.

Ballet Philippines, led by President Kathleen Liechtenstein and Trustee Sheree Chua, were welcomed with great reverence by the Talaandig elders of Songco in Lantapan. A sacred Pamuhat ritual at the Peace Hall in Mayantudug set the tone for the visit, invoking spiritual blessings for the occasion.

A captivating exchange of dances followed, as Talaandig elders performed their traditional movements, their feet resonating with the earth’s rhythm. In return, Ballet Philippines’ dancers shared their own craft, bridging two distinct yet equally expressive art forms. The ballerinas had the honor of learning the Dugso, a ceremonial Talaandig dance, while Bai Ipang, a revered elder, experienced ballet’s elegant allongé. This exchange underscored a shared respect for dance as both storytelling and cultural preservation.

“An unforgettable moment—so moving, we performed three encores,” BP President Kathleen Liechtenstein recounted.
This is Datu Waway Saway, the tribe leader who traces his ancestors to the Great Flood survivors. He is very charismatic and greatly talented in visual arts and music. He performed his song at the Lincoln Center for the Julliard School of Music.
He will perform live chant for the Mindanao full-length ballet .
Mindanao will be an original full length ballet about the many tribes of Mindanao and how unity and harmony turned it into a paradise! Watch out for it Sept 2027.

On the second day, the company visited Lantapan National High School, where nearly 100 students were introduced to ballet through an immersive workshop. The session culminated in a vibrant showcase, met with enthusiastic applause from the school community.

The Ballet Brigade’s journey extended to Kitaotao, Quezon, and Malaybalay, where performances near significant monuments by Lawig Diwa President Kublai Millan transformed public spaces into artistic stages. These performances brought audiences together in a shared celebration of movement and heritage.
This extraordinary collaboration—made possible through the efforts of Lawig Diwa Inc. and the Talaandig community—demonstrates the power of dance in preserving tradition and building bridges between cultures. Through these exchanges, Ballet Philippines continues its mission of inspiring and uniting communities, proving that the language of movement knows no borders.

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BP Bulletin

A Gracious Salute to Our President, Kathleen Liechtenstein

At the heart of Ballet Philippines’ continued excellence and evolution is the steadfast leadership of our President, Kathleen Liechtenstein. With her unwavering dedication, vision, and passion for the arts, she has played an instrumental role in uplifting Filipino ballet to greater heights.

From championing excellent productions to nurturing the next generation of dancers, her influence resonates both on and off the stage. Her commitment to excellence ensures that Ballet Philippines remains a beacon of creativity and artistic brilliance.

Today, we extend our heartfelt appreciation to Kathleen Liechtenstein—a true leader, visionary, and passionate advocate of dance.

Thank you for inspiring us to rise, just as ballet always does.

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BP Bulletin

Breaking Traditions and Creating Connections: A Glimpse Into Alexander Ekman’s World

Last Friday, December 20, Ballet Philippines had the honor of hosting internationally acclaimed choreographer Alexander Ekman for an exclusive masterclass. Known for his bold and innovative approaches to ballet, Ekman brought not only his technical expertise but also his refreshing perspective on the art form to our studio.

Ekman’s reputation as a trailblazer is well-earned. His 2014 production of A Swan Lake made waves by reimagining the iconic ballet with a stage filled with water. “The water came first,” he explained, revealing how the unconventional idea shaped his creative process. “I love starting with tradition because it’s something we can all relate to, and then I like to break it. It’s fun to do unexpected things from a traditional base.”

With over 20 years of experience working with ballet companies worldwide, Ekman has observed a striking evolution in the art form. “The athleticism of ballet has grown tremendously,” he said. “It’s amazing to see how much stronger and more technical dancers have become.” Yet, for Ekman, the essence of ballet lies in its power to foster human connection. “Theatre is where we come together as a community,” he shared. “It’s about creating moments of presence and connection through performance.”

Ekman’s visit to the Philippines was fueled by curiosity and personal ties. “I’ve always wanted to come here,” he said. His best friend, a Filipino who hadn’t returned to the country in 25 years, encouraged the trip. “I was curious to discover the dance scene here and make new connections.” His enthusiasm and openness to exploring new cultures reflect his broader belief in the international and inclusive nature of dance.

For emerging choreographers and dancers, Ekman offered words of wisdom grounded in hard work and authenticity. “Ask yourself: What’s my original voice? What do I want to say?” he advised. “And always work with joy and pleasure. Remember why we’re here—to create happiness through human connection.”

Alexander Ekman’s masterclass was more than a technical session; it was an inspiring glimpse into the mind of an artist who constantly pushes boundaries while staying true to the core of ballet. His visit left Ballet Philippines’ dancers enriched and energized, ready to carry forward his vision of breaking traditions and forging deeper connections through dance.

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Ballet Philippines on BNC’s “It’s a Beautiful Day”

This morning, Ballet Philippines took center stage on Bilyonaryo News Channel’sIt’s a Beautiful Day,” captivating viewers with a behind-the-scenes look at the world of ballet. President & CEO Kathleen Liechtenstein, together with principal dancers Jemima Reyes and Ian Ocampo, shared insights into the artistry, dedication, and community work that make BP a cultural institution.

Discover the Magic of Peter Pan

One of the highlights of the discussion was Ballet Philippines’ upcoming Christmas production, Peter Pan. The team shared a sneak peek into how this timeless tale is being brought to life with BP’s signature flair, promising a superb experience for audiences of all ages.

The Road to Becoming a Principal Dancer

Jemima Reyes and Ian Ocampo, two of BP’s most talented principal dancers, opened up about the rigorous training and dedication it takes to reach the top in ballet. From countless hours in the studio to the thrill of performing onstage, their stories revealed the passion and perseverance required to excel in this demanding art form.

Giving Back Through the Ballet Brigade

Beyond the stage, Ballet Philippines is making a difference in communities through its Ballet Brigade projects. These outreach initiatives aim to share the beauty of dance with underserved audiences, creating opportunities for everyone to experience the transformative power of ballet.

Life Onstage vs. Offstage

The segment also touched on the fascinating contrasts between a dancer’s life onstage and offstage. While the spotlight reveals grace and artistry, life behind the scenes involves hard work, discipline, and a deep commitment to the craft.

Watch the Full Interview

Get inspired by the stories, dedication, and passion behind Ballet Philippines. 📺Watch the full interview on It’s a Beautiful Day and learn more about how BP continues to elevate the art of dance.

Ballet Philippines
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