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People Asia Shares a First Look at Ballet Philippines’ 56th Season

Ballet Philippines teams up with Repertory Philippines and the Manila Symphony Orchestra for a five-show season opener that blends dance, music, and theater—while extending free access to underserved communities.

Ballet Philippines with Repertory Philippines and Manila Symphony Orchestra will present two beloved classic tales

In an article by People Asia, the spotlight shines on Ballet Philippines’ much-anticipated 56th season, which opens with a landmark collaboration between three of the country’s premier cultural institutions: Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra.

Running from August 1 to 3, 2025, at The Theatre at Solaire, this first-of-its-kind production brings together world-class dancers, actors, and musicians for a five-show engagement designed for audiences of all ages. The season opener features two beloved classics—Peter and the Wolf and Little Red Riding Hood—reimagined in a family-friendly format that blends ballet, orchestral music, and theatrical storytelling.

Peter and the Wolf, composed by Sergei Prokofiev, is a symphonic tale that cleverly introduces young audiences to classical music by assigning instruments to each character in the story: the bird is represented by a flute, the duck by an oboe, the cat by a clarinet, and Peter by the strings, among others.

The second half of the program presents Little Red Riding Hood, a whimsical retelling of the well-known fairy tale. Set to the compositions of Camille Saint-Saëns and Edvard Grieg, this production offers a fresh, playful take on the story, with choreography and direction tailored for today’s audiences.

Beyond the stage, the production also carries a meaningful community outreach component. Selected families from various barangays will be given free access to the performances, while proceeds from ticket sales will go toward supporting and sustaining future outreach efforts.

This powerful collaboration among three leading institutions aims to both entertain and uplift—making the arts more inclusive, and inspiring the next generation through storytelling, movement, and live music.

Read People Asia’s full story here:https://peopleasia.ph/ballet-philippines-shares-stage-with-rep-manila-symphony-orchestra-little-red-riding-hood-and-the-big-bad-wolf/.

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BP Bulletin

Broadway World Previews Ballet Philippines’ 56th Season Opener, Peter and the Wolf & Little Red Riding Hood 

From August 1-3, 2025, Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra unite for a family-friendly double bill at The Theatre at Solaire.

In a feature by Broadway World, Gilbert Kim Sancha highlights a major cultural milestone as three of the Philippines’ premier performing arts institutions—Ballet Philippines (BP), Repertory Philippines (REP), and the Manila Symphony Orchestra (MSO)—join forces for an extraordinary season opener.

Marking its 56th season, Ballet Philippines presents a world-class double bill featuring Peter and the Wolf and Little Red Riding Hood from August 1 to 3, 2025, at The Theatre at Solaire. This first-time collaboration brings music, dance, and drama together on one stage for five performances aimed at delighting audiences of all ages.

Peter and the Wolf, composed by Sergei Prokofiev, uses different instruments to represent each character—offering a fun and educational introduction to symphonic music for younger audiences. Meanwhile, Little Red Riding Hood reimagines the beloved fairy tale with a lighthearted tone, brought to life through expressive choreography and set to the music of Camille Saint-Saëns and Edvard Grieg.

Beyond its artistic ambition, the production also serves as a meaningful outreach initiative. Families from selected barangays will be invited to watch for free, helping expand access to the transformative power of the performing arts. Ticket sales from the general public will help support future outreach efforts.

With theatrical storytelling from REP, dynamic choreography from BP, and a live musical score by the MSO, the production is designed to entertain, educate, and inspire—a celebration of collaboration and creativity.

Read the full story by Gilbert Kim Sancha for Broadway World here: https://www.broadwayworld.com/philippines/article/Music-Drama-and-Dance-Come-Together-in-PETER-AND-THE-WOLF-and-LITTLE-RED-RIDING-HOOD-20250708.

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BP Bulletin

A Beautiful Day by Bilyonaryo Talks to Ballet Philippines and Repertory Philippines About a Landmark Collaboration for BP’s 56th Season Opening

Hosts Paolo Del Rosario, Anne Asis Carilo, and Monique Tuzon explore how BP, REP, and MSO unite 213 years of cultural legacy for a magical family production.


In a recent feature by A Beautiful Day by Bilyonaryo, hosts Paolo Del Rosario, Anne Asis Carilo, and Monique Tuzon sat down with Ballet Philippines’ President Kathleen Liechtenstein and Repertory Philippines’ Artistic Director Jeremy Domingo to delve into one of the most significant cultural collaborations in the country today.

The conversation focused on the upcoming production that brings together three of the Philippines’ most iconic cultural institutions—Ballet Philippines (BP), now in its 56th year; Repertory Philippines (Rep), with 58 years; and the Manila Symphony Orchestra (MSO), marking 99 years. This groundbreaking partnership merges 213 years of artistic excellence in a single, family-friendly production.

At the center of this creative alliance is a double bill of Peter and the Wolf and Little Red Riding Hood, where ballet, theater, and live symphonic music come together for a rare and immersive experience. The creative process, as shared in the interview, has been a complex balancing act of disciplines and visions—aiming to offer children and families an engaging encounter with the performing arts that is both entertaining and educational.

Monique Tuzon invited Jeremy Domingo to discuss Peter and the Wolf, a 20-minute symphonic piece composed by Sergei Prokofiev. Crafted as an introduction to classical music for young listeners, each character in the story is represented by a specific instrument: a flute for the bird, oboe for the duck, clarinet for the cat, bassoon for the grandfather, horns for the wolf, and strings for Peter. The narrative encourages curiosity, courage, and critical thinking through sound and story.

This production is not only a celebration of heritage and artistry but also a call to nurture the imagination of a new generation.

Watch the full video of Bilyonaryo’s It’s A Beautiful Day here: https://www.youtube.com/live/7cXSJkmh23k?si=MPMzuU8swagh_LZO.

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BP Bulletin

ABS-CBN Spotlights Groundbreaking Ballet Philippines Collaboration for 56th Season

Ballet Philippines teams up with Repertory Philippines and the Manila Symphony Orchestra for a historic theatrical collaboration in The Theater at Solaire.

Ballet Philippines, Manila Symphony Orchestra (MSO) and Repertory Philippines

In a feature by Leah Salterio for ABS-CBN News, Ballet Philippines’ upcoming 56th season launch is spotlighted as a landmark cultural event that brings together three of the country’s premier performing arts institutions—Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra.

For the first time, the three companies are joining forces on one stage to present a family-friendly double bill: Peter and the Wolf and Little Red Riding Hood, running from August 1 to 3 at The Theatre at Solaire. Peter and the Wolf, composed by Sergei Prokofiev, is a classic symphonic tale that introduces children to the instruments of the orchestra.

Each character is represented by a different instrument—the bird by a flute, the duck by an oboe, the cat by a clarinet, and so on—making it both educational and entertaining. Ballet and theatrical elements will enhance the performance, creating an engaging fusion of music, dance, and storytelling.

Little Red Riding Hood will be presented as a full-length ballet set to the music of Camille Saint-Saëns and Edvard Grieg. This playful reimagining of the well-known fairy tale will follow the journey of a young girl who discovers the value of kindness, brought to life through original choreography and musical interpretation. Beyond the artistry, this production also represents a significant outreach initiative.

Ballet Philippines announced it will distribute free tickets to indigenous children, military personnel, and other underserved communities. The MSO will also bring in their own beneficiaries to enjoy the performance. With only five performances scheduled, this ambitious production promises to be a highlight of the season—uniting generations through timeless storytelling and live performance.

Read the full story by Leah Salterio for ABS-CBN News here: https://www.abs-cbn.com/lifestyle/2025/7/7/rep-ballet-philippines-mso-join-forces-for-landmark-family-show-1635.

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BP Bulletin

Modern Parenting Explores Why Fairy Tales Still Matter For Modern Families

Classic fairy tales like Peter and the Wolf and Little Red Riding Hood continue to inspire creativity and bring families closer—reminding us that a lifelong love for the arts may just be the most enduring happily ever after.

In an article by Modern Parenting, writer Kevyn Gohu explores how timeless fairy tales can still spark wonder in modern families—especially when brought to life by the Philippines’ top performing arts companies.

Opening this August, Ballet Philippines marks its 56th season with a special collaboration alongside Repertory Philippines and the Manila Symphony Orchestra. The three institutions join forces for a five-performance run of Peter and the Wolf and Little Red Riding Hood—a double bill that brings music, movement, and imagination together in one magical, family-friendly production.

These stories, deeply rooted in generations of childhood memories, offer something unique in today’s fast-paced, screen-dominated world: immersive storytelling. Where technology often flattens experience into scrollable moments, the live stage invites families to slow down, feel, and connect.

Set to the iconic music of Russian composer Sergei Prokofiev, Peter and the Wolf introduces children to classical instruments by assigning them to characters—flute for the bird, oboe for the duck, clarinet for the cat, and strings for Peter. Little Red Riding Hood, featuring compositions by Camille Saint-Saëns and Edvard Grieg, offers a fresh, reimagined take on the classic tale—focusing on emotion, empathy, and courage through expressive choreography.


Read Modern Parenting’s full story by Kevyn Gohu here: https://modernparenting-onemega.com/fairy-tales-modern-families-ballet/.

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BP Bulletin

Ballet Philippines’ 56th Season Launch Featured in Tatler

Catch Ballet Philippines’ twin-bill production of Peter and the Wolf and Little Red Riding Hood, with five shows scheduled from August 1 to 3, 2025, at The Theatre at Solaire in Parañaque. For details and updates, follow Ballet Philippines’ official social media channels.

Little Red Riding Hood and the Big Bad Wolf (Photo: Ballet Philippines)

In an article for Tatler, Gabriel Bohol highlights a historic moment in Philippine performing arts: for the first time, Ballet Philippines, Repertory Philippines, and the Manila Symphony Orchestra are joining forces in a major theatrical collaboration.

To mark the opening of its 56th season, Ballet Philippines presents a twin-bill production of Peter and the Wolf and Little Red Riding Hood—a blend of dance, drama, and live orchestral music. This collaboration not only represents an artistic milestone, but also serves as a meaningful outreach initiative, offering free tickets to families from underserved communities.

Peter and the Wolf, written in 1936 by Russian composer Sergei Prokofiev, follows a young boy who defies his grandfather’s warnings and ventures into the forest. Along the way, he meets a duck, cat, and bird before encountering a menacing wolf. Repertory Philippines Artistic Director Jeremy Domingo leads the direction, cleverly integrating the Manila Symphony Orchestra by assigning each character a musical instrument: the bird by a flute, the duck by an oboe, the cat by a clarinet, the grandfather by a bassoon, the wolf by French horns, and Peter by the strings.

The second half of the performance features a full-length ballet adaptation of Little Red Riding Hood, based on the classic tale by Charles Perrault. Directed by Ballet Philippines’ Mikhail Martynyuk, this version takes a more playful approach to the story and is set to the music of Camille Saint-Saëns and Edvard Grieg. Rather than focusing on the darker elements, the production promises a family-friendly retelling with lighthearted charm and expressive choreography.

This much-anticipated double bill will be staged from August 1 to 3 at The Theatre at Solaire, with only five performances scheduled.

Read the full story by Tatler’s Gabriel Bohol here: https://www.tatlerasia.com/lifestyle/arts/peter-and-the-wolf-and-little-red-riding-hood-ballet-ph.

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BP Bulletin

BP’s Ballet Brigade and Bukidnon’s Seven Tribes Meet for a Cultural Exchange

Ballet Philippines’ Ballet Brigade recently embarked on a meaningful journey to the highlands of Bukidnon, deepening its commitment to connecting communities through dance. Engaging with the seven tribes of the region—the Talaandig, Higaonon, Bukidnon, Umayamnon, Matigsalog, Pulangiyen Manobo, and Tigwahanon—the company fostered a powerful exchange of culture, tradition, and artistry.

Ballet Philippines, led by President Kathleen Liechtenstein and Trustee Sheree Chua, were welcomed with great reverence by the Talaandig elders of Songco in Lantapan. A sacred Pamuhat ritual at the Peace Hall in Mayantudug set the tone for the visit, invoking spiritual blessings for the occasion.

A captivating exchange of dances followed, as Talaandig elders performed their traditional movements, their feet resonating with the earth’s rhythm. In return, Ballet Philippines’ dancers shared their own craft, bridging two distinct yet equally expressive art forms. The ballerinas had the honor of learning the Dugso, a ceremonial Talaandig dance, while Bai Ipang, a revered elder, experienced ballet’s elegant allongé. This exchange underscored a shared respect for dance as both storytelling and cultural preservation.

“An unforgettable moment—so moving, we performed three encores,” BP President Kathleen Liechtenstein recounted.
This is Datu Waway Saway, the tribe leader who traces his ancestors to the Great Flood survivors. He is very charismatic and greatly talented in visual arts and music. He performed his song at the Lincoln Center for the Julliard School of Music.
He will perform live chant for the Mindanao full-length ballet .
Mindanao will be an original full length ballet about the many tribes of Mindanao and how unity and harmony turned it into a paradise! Watch out for it Sept 2027.

On the second day, the company visited Lantapan National High School, where nearly 100 students were introduced to ballet through an immersive workshop. The session culminated in a vibrant showcase, met with enthusiastic applause from the school community.

The Ballet Brigade’s journey extended to Kitaotao, Quezon, and Malaybalay, where performances near significant monuments by Lawig Diwa President Kublai Millan transformed public spaces into artistic stages. These performances brought audiences together in a shared celebration of movement and heritage.
This extraordinary collaboration—made possible through the efforts of Lawig Diwa Inc. and the Talaandig community—demonstrates the power of dance in preserving tradition and building bridges between cultures. Through these exchanges, Ballet Philippines continues its mission of inspiring and uniting communities, proving that the language of movement knows no borders.

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BP Bulletin

Dancing with Purpose: Ballet Philippines’ Journey to Mindanao

The Masterclass by BP will take place on the 30th of September at the Davao City National High School's Conference Room. It is open to schools with Special Program in the Arts (SPA) Grade 9-10 and Arts and Design Grade 11-12 Visual Arts of DepEd Davao City Division.

Ballet Philippines, one of Asia’s foremost dance companies, continues its intense and focused outreach program, this time by participating in the Mindanao Art Fair. As they move to the southern tip of the Philippines, the company embarks on an inspiring journey of collaboration, cultural exchange, and exploration.

Ballet Philippines’ Dancers with Artisitc Director, Mikhail Martynyuk, arriving early this morning, September 27, 2024 at the Davao Airport.

Exploring Mindanao’s Dance Movements

As part of their participation, the company is diving into Mindanao’s unique dance traditions, enriching their artistic vocabulary. By connecting with local dancers and learning from indigenous practices, Ballet Philippines strengthens their ties to Filipino culture while expanding the reach of ballet.

Ballet Philippines’ Dancers at the gallery in SM Lanang, Davao.

Meeting the Tagabawa Community in Digos

One of the most meaningful parts of their trip is meeting the Tagabawa community. Ballet Philippines recognizes the deep roots of dance in this community’s traditions and its role in reflecting social issues. Learning directly from the Tagabawa people, the company gains insight into how dance can carry messages of both resilience and transformation.

A Visit to Lake Sebu

Ballet Philippines’ Artistic Director, Mikhail “Misha” Martynyuk, along with dancers Anthony Balucay and Eduardson Evangelio, recently participated in a meaningful cultural immersion in Lake Sebu. They explored the rich heritage of the T’boli people by visiting significant sites, including the Lang Dulay Weaving Center, Bundos Fara’s T’boli Brass Casting shop, and The Lake Sebu School of Living Traditions. Through this experience, they gained a deeper understanding of T’boli culture, witnessing firsthand the beauty of T’boli music, dance, intricate textile weaving, and brass casting.

Ballet Philippines’ Artistic Director, Mikhail “Misha” Martynyuk along with BP dancers embarked on a meaningful cultural immersion in Lake Sebu.
Through this journey, Misha and the dancers experienced the vibrant T’boli culture firsthand—its music, dance, intricate textile weaving, and brass casting—gaining a deeper appreciation and understanding of our T’boli brothers and sisters’ way of life.

Honoring the Legacy of the Rano Massacre Survivors

In a deeply emotional exchange, the company is also listening to the stories of survivors of the 1989 Rano Massacre, reflecting on how the arts can memorialize and heal. This marks a significant moment where Ballet Philippines uses dance not just as art, but as a medium for empathy and discourse.

Empowering the Next Generation

BP’s visit concludes with a workshop at Davao City National High School, inspiring Mindanao’s youth to stay grounded in their cultural heritage while pursuing their creative passions. By nurturing these young talents, Ballet Philippines fosters a new wave of creatives who will carry their community’s stories forward.

Ballet Philippines’ participation in Mindanao Art symbolizes more than just a performance—it’s a powerful act of cultural connection and storytelling. The company’s dedication to embracing local traditions, while pushing artistic boundaries, makes them a force for uniting the nation through dance. These outreach programs are where the heart of Ballet Philippines truly beats!

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BP Bulletin

Ballet Philippines’ Ballet Outreach Brings Dance to Tacloban

Ballet Philippines on another Ballet Outreach trip, this time in Tacloban, Leyte where they visited and taught ballet to the kids in North Hill.

From September 13-15, 2024, Ballet Philippines (BP) brought the joy of ballet to the resilient city of Tacloban, Leyte. Despite overcast weather in both Manila and Tacloban, the BP team departed Manila in high spirits, eager to share the beauty of ballet with the people of Tacloban, a city that gained international attention in the aftermath of Typhoon Haiyan. Now fully recovered, Tacloban welcomed the Ballet Philippines dancers and team with open arms.

Upon arrival, BP dancers and staff visited Mr. Glenn Capucion, President of the Tingog Partylist, who expressed his gratitude for the company’s visit and their efforts to bring ballet to the region.

BP then performed at North Hill, where schoolchildren eagerly awaited their first glimpse of ballet. The dancers performed an excerpt from their most recent production, La Sylphide, followed by a ballet class that was
met with enthusiasm from the children. After the class, BP assisted in distributing backpacks filled with school supplies, bringing smiles to many young faces.

The day concluded with visits to Tacloban’s iconic sites, including the San Juanico Bridge and the Haiyan Memorial, where the team reflected on the city’s resilience and recovery.

The following day, BP held a ballet masterclass at the People’s Center for local ballet students. Students from all levels of dance, from Baby Ballet to Adult Ballet, enjoyed a truly uplifting ballet masterclass with our enthusiastic dancers.

Later in the afternoon, BP visited the Community of Hope in Palanog, where the children enjoyed another dance performance and class.

Afterward, BP dancers received a plaque of appreciation from local officials, recognizing their contributions to the community.

The heartfelt response from the Tacloban community was best captured by a representative from the office of Mr. Capucion, Ms. Rowena Young who remarked: “You didn’t just perform; you shared a piece of your heart with us. The passion and energy you brought were palpable, and the joy you inspired will stay with our community for a lifetime.“

BP dancers and staff left Tacloban with full hearts, knowing they had touched lives through the art of ballet.

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BP Bulletin

A BP MASTERCLASS on Creators, Copyrights, and Intellectual Property

As we now enter a new era of hybrid training and learning, BALLET PHILIPPINES is once again engaging the creative community with an exciting Masterclass designed to shed light on Philippine Copyrights and Intellectual Property.

We at BALLET PHILIPPINES invite you and your organization to join a BP OnStream MASTERCLASS: Creators, Copyrights, and IP with Atty. Lorna Patajo-Kapunan and Atty. Rico Domingo.

The Masterclass will take place via Zoom on August 2, 3PM. It may also be viewed through BALLET PHILIPPINES’ Facebook page, https://www.facebook.com/balletphilippines

During this MASTERCLASS, audiences will:

  • Learn about Philippine Laws on Copyrights and IP–its parameters, definitions, and scope.
  • Discover how Copyrights and IP can help protect and guide creatives as they navigate their careers.
  • Know and understand the dynamics between creators, companies, and other businesses where Copyrights are concerned

We shall be delighted to welcome you to this special session where experts of the legal community and IP can help guide you through your creative pursuits and careers.

Register for this FREE Masterclass, here:

 

 

Ballet Philippines
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