Tag: BalletPhilippinesAliceInWonderland

In a recent A Beautiful Day Hangout interview on the Bilyonaryo News Channel, Ballet Philippines President Kathleen Lior-Liechtenstein, together with dancers Regina Magbitang and Carlo Padoga, offered an exciting glimpse into the company’s newest full-length holiday production, Alice in Wonderland.

The conversation shed light on Artistic Director Mikhail “Misha” Martynyuk’s innovative approach, revealing how his choreography combines whimsy, technical precision, and a renewed emotional core while honoring Lewis Carroll’s beloved classic. During the feature, Liechtenstein highlighted Ballet Philippines’ ongoing mission to push artistic boundaries while making ballet accessible to a wider audience.

Dancers Regina Magbitang and Carlo Padoga also made a special appearance, sharing insights into their roles as the Red Queen and the Mad Rabbit—two of Wonderland’s most iconic characters. Their behind-the-scenes stories added depth to the interview, giving viewers a closer look at the creative process and the unique personalities they bring to the stage.

Described as a holiday escape crafted with heart, humor, and pure imagination, Alice in Wonderland promises a visually rich experience filled with bold storytelling and unforgettable characters. With its fusion of classical technique, expressive mime, and theatrical flair, the production aims to enchant audiences of all ages.

Ballet Philippines’ Alice in Wonderland will be performed live at The Theatre at Solaire on December 5, 6, and 7, 2025.

Save your seats in Wonderland through Ticketworld.

Watch the full Bilyonaryo interview here.

Part 2 of 3 stories written by Irene de Jesus Obligacion for The Manila Times, exploring the vision, artistry, and imagination behind Ballet Philippines’ upcoming production of Alice in Wonderland.

For Ballet Philippines’ Alice in Wonderland, Artistic Director Mikhail “Misha” Martynyuk brings to life a deeply personal and imaginative interpretation of Lewis Carroll’s timeless tale. Guided by the music of Claude Debussy, Martynyuk transforms sound into motion, allowing the score’s mystery and poetry to shape both rhythm and movement. Each scene unfolds as its own miniature story, reflecting the individuality and inner worlds of its characters. Rather than simply retelling a familiar fantasy, Martynyuk’s choreography turns Alice in Wonderland into a living conversation between music, movement, and imagination.

As both choreographer and stage designer, Martynyuk redefines Wonderland as more than a physical place—it becomes a symbolic space within Alice’s mind, filled with thoughts, memories, and dreams. Through carefully conceived staging and atmosphere, the ballet explores the transition from innocence to self-awareness, where every whimsical encounter reflects Alice’s inner growth. Even the story’s famous transformations are reimagined, with emphasis placed not on literal effects but on emotional and symbolic expression.

At its heart, this production highlights Ballet Philippines’ commitment to creativity and excellence. Martynyuk’s approach combines the technical mastery of the dancers with a profound sense of storytelling, resulting in a performance that is both visually striking and emotionally resonant. Audiences can look forward to an original and thought-provoking experience that blends artistry, symbolism, and heartfelt expression. Alice in Wonderland runs from December 5 to 7 at The Theatre at Solaire. For more details, visit ballet.ph.

Read the full story by Irene de Jesus Obligacion for The Manila Times.